Aboriginal Australian Adobe Revival Akan Aleut Algonquin Amazigh Amhara Andalusian Art Deco Art Nouveau Arts and Crafts Ashanti Balinese Bambara Bantu Baroque Bauhaus Beaux-Arts Berber Brutalist Burman Byzantine Cape Cod Carpenter Gothic Catalan Modernisme Chalukya Cham Chateauesque Cherokee Chewa Chinoiserie Chola Classical Collegiate Gothic Colonial Constructivist Contemporary Cubist Dayak Decolonial Deconstructivist Dogon Dravidian Eastlake Egyptian Revival Expressionist Federal Fijian Fulani Futurist Georgian Gond Gothic Greek Revival Haida Hausa High-Tech Hoysala Igbo Indo-Saracenic Industrial International Style Inuit Iroquois Islamic Italianate Jacobethan Javanese Karen Khmer Khmer Vernacular Kikuyu Kongo Lao Vernacular Luba Lunda Malay Mande Maori Maratha Melanesian Metabolism Micronesian Minangkabau Minimalist Mission Revival Modernist Mon Moorish Mossi Mudéjar Mughal Nagara Navajo Neo-Baroque Neo-Byzantine Neo-Classical Indian Neo-Futurist Neo-Gothic Neo-Manueline Neo-Mudéjar Neo-Plateresque Neo-Renaissance Neo-Rococo Neo-Roman Neo-Traditional Neo-Tudor Neoclassical Norman Organic Oromo Ottoman Palladian Pallava Parametricism Polynesian Postcolonial Postmodern Prairie School Pueblo Pueblo Revival Queen Anne Rajput Regency Regional Modernism Renaissance Rococo Roman Romanesque Safavid Sami Scandinavian Scottish Baronial Secession Second Empire Seljuk Shan Shingle Style Shona Sinhalese Sioux Somali Sotho Spanish Colonial Revival Stick Style Streamline Moderne Structuralist Sumatran Surrealist Sustainable Swahili Thai Vernacular Tibetan Vernacular Timurid Tongan Toraja Tropical Modernism Tswana Tudor Tumbuka Vernacular African Vesara Victorian Vietnamese Vernacular Vijayanagara Warli Xhosa Yoruba Zulu